I&IC Workshop #5 with Random International at ECAL, brief: “The Everlasting Shadow”

Note: As I mentioned in a previous post, the I&IC design research project enters further developments in the context of new experimental workshops. Being still part of the first phase of our work, these researches are led in collaboration with design partners (peers) and the participation of Interaction Design students (Ba & Ma). They follow the purpose of creating a thematic corpus of design “counter-proposals” to the existing apparatus of the “cloud” (as described in the foundation document about this research).

I therefore publish the brief that Dev Joshi (from the London based collective Random International) recently sent me, in preparation of the coming workshop that will take place at ECAL next week (16-20.11.2015). This workshop will interrogate what the “self” might become in an era of permanent personal data traces left on countless online/cloud based services. These traces, now commonly known as “digital footprints“, or “data shadows” (“ombres numériques” in French) and even sometimes “data ghosts” open interesting questions when it comes to communicate/interface with these “ghosts”, objectify or make them visible.

 

The Everlasting Shadow

Workshop brief, November 2015.
Random International / Dev Joshi (Head of Creative Technology)

 

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Introduction

A unique construct, the cloud is always growing but will never fill up and it always looks the same, regardless of the angle from which it is viewed.

People often think of the cloud as something which is lightweight, easy to use, not imposing and perhaps even mercurial in nature. Content streams are always changing, documents viewable at their most current version – everything is fast and new. Looking below the surface, it is clear that this perception isn’t true. The cloud is heavy – it has a huge physical and environmental impact and the permanence of the data is worrying.

Where does all that stuff go, who is there to look after it? When all of your life’s information exists on someone else’s computer, even if you delete, how can you be sure that it is gone? Years of our lives left to rot in forgotten Dropbox accounts; previous versions of ourselves trapped on abandoned MySpace pages with only Tom for company.

The dualism of the ghosts we leave behind in the cloud, these indelible snapshots of ourselves, raise interesting questions about where the self exists in the modern age and of ownership. If ownership over something is the right to destroy it, have we surrendered ourselves to a broken immortality which we cannot control. Have we lost the right to forget and be forgotten?

 

Questions and staring points

The cloud is always something that belongs to someone else, operating in borrowed time and space. Devise a way of informing others about the physical and digital shadow they leave behind when they use the cloud.

Written records have existed for millennia but great effort is still expended in deciphering ancient texts written in forgotten languages. If everything in the cloud really is forever, how can we ensure it retains its value when the world has forgotten how we communicate?

How many different versions of you are there in the cloud? If they could speak, what would they say?

Your digital ghosts are trapped on islands around the cloud – is there a way to rescue them? Maybe they just need a shelter to live in now that you have moved on?

 

Output and medium

Could be, but not limited to:

. Making use of existing, static, cloud data (Things in your drop box, old social media accounts)

. Small (desktop) artifacts

. Projection and frames in space – things which hang from the ceiling or are fixed to the wall

. Screen based

 

Reference pieces

http://random-international.com/work/temporary-printing-machine/

http://random-international.com/work/aspect-white/

http://random-international.com/work/future-self/

http://random-international.com/work/tower/

 

Timeline

Monday – Introduction and discussion (am briefing)

Tuesday – Bandwidth and bare minimums (am briefing)

Wednesday – The trees that grow on technology island (am briefing)

Thursday – Work day

Friday – Presentation prep and delivery

 

Further reading

Marcelo Coelho, Karsten Schmidt, Allison E Wood

Inhabiting and Interfacing the Cloud(s), a design research teaser about misunderstandings and paradoxes …

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At the occasion of the first peer reviewed conference we’ll take part with the I&IC project (Renewable Futures in Riga) and following the exhibition at H3K last Summer 2015 (Poetics and Politics of Data), Lucien Langton edited and produced a short teaser about our design research that dive into misunderstandings and paradoxes that concern the “Cloud(s)”!

 

Inhabiting & Interfacing the Cloud(s), can “weather affect cloud computing”? from iiclouds.org design research on Vimeo.

 

 

Cloud Computing design exhibit in Saint Etienne

The Cité du Design in Saint Etienne (France) had an exhibit about cloud computing few months ago. It was part of an initiative by Orange, the French telco, that asked design students to speculate about “the personal digital space of tomorrow.” The question they addressed are the following:

What new uses? How to organize this space for storing personal data? How to avoid being overwhelmed by all the content that we unwinttingly store in it on a daily basis? How to make the memories that we capture on video and in photos more accessible? How can we easily send all or part of this special prvate space to the people we love? Can we find a new material or emotional value for this data?

(The reasons why an I&IC’s) OwnCloud Core Processing Library

Beside the reflection produced by the overall Inhabiting & Interfacing the Cloud(s) project and the related necessity to provide “access to tools” to a larger community (largely described in the founding document of the project and in a former post about the setting up of this library), new paradigms may arise in the global organization of servers farms. These new paradigms may in return generate new ways to organize files on cloud servers (by a different control of the redundancy principle for example, or a different use of file’s duplication, etc.), allowing for new projects.

In order to answer the stakes of the I&IC design research and to prepare such output/proposals, we have developed the OwnCloud Core Processing Library that will allow to setup a software layer on top of the hardware layer.

 

To download and learn how to use the OwnCloud Core Processing Library, we’ve prepared a post in the Cook Books section of this site.

 

owncloud_logo    processing2-logo

Cookbook > How to set up Processing to use the OwnCloud Core Processing Library

We will describe how to use the OwnCloud Core Processing Library within the Processing framework, starting from a blank sketch. Library’s functions will be refined and new ones may be developped, some additional libraries will be added as well in order to propose high level functions deeper linked to the IICloud(s) project.

 

own_processing_logo

Clog (2012). Data Space

IMG_9022

 

Note: we mentioned this “bookazine”, Clog, in our bibliography (Clog, (2012). Data Space, Clog online), at the very early stages of our design-research project. It is undoubtedly one of the key references for this project, mostly related to thinking, territory, space and therefore rather oriented toward the architecture field. It will certainly serve in the context of our workshop with the architects (in collaboration with ALICE) next week, but not only, as it states some important stakes related to data in general. This very good and inspiring magazine is driven by a pool of editors that are Kyle May (editor in chief, we invited him as a jury member when we –fabric | ch with Tsinghua University– organized a call during 2013 Lisbon Architecture Triennale, curtated by Beatrice Galilee), Julia van den Hout, Jacob Reidel, Archie Lee Coates, Jeff Franklin.

The edition is unfortunately sold out. Reason why I assembled several images from the bookazine (for the research sake) in a pdf that can be downloaded here (60mb).

“Botcaves” on #algopop

Matthew Plummer-Fernandez just took the occasion to publish the results of the workshop he led at ECAL on #algopop (“studying the appearance of algorithms in popular culture and everyday life”)!