Datadroppers, a communal tool to drop off and/or pick up data (and then develop projects)

Note: fabric | ch, one of our partner on this project, has developed an open source data sharing tool that tries to simplify the procedures of declaring/logging and sharing data (from “connected sensor things”, mainly). This is Datadroppers. The service is somehow similar, yet slightly more versatile than the now vanished Pachube, or the contemporary, but proprietary, Dweet.io (that we’ve already mentioned in the resources section of this blog).

One of the interesting points in this case is that the new web service has been created by designers/coders that are themselves in need of such data service for their own work, promising in some ways that it won’t be commodified.

The other interesting point is the fact that they are formally involved in this design research project as well (through Christian Babski, developer), which should help us match the functions of Datadroppers with OwnCloud: through the use of the documented OwnCloud Core Processing Library and the one of Datadroppers, new paradigms and artifacts in file/data sharing and cloud operations could be envisioned, implemented and tested.

But moreover and mainly, projects made by the design community could be developed that will take advantages of the open resources of Processing (later on, Javascipt as well), OwnCloud and these libraries. Designing tools remains one of the goals of this design research project. Designing artifacts that will use these (improved) tools will be the work of the coming year in our design research…

 

Via fabric | rblg, via datadroppers.org

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The “communal service” is in fact a statement, the statement becomes the navigation interface. The two main sections of the website are composed by the parts in which you can play with or search for data.

We drop off and we pick up is the area where one can see what can be achieved with data. Obviously, it is either possible to declare (drop off) data and tag them, or retrieve them (pick up) – image above -. You can also Search data following different criteria -below-.

 

 

 

Usual data will certainly be live feeds from sensors, like the one in the top image (i.e. value: lumen). But you could go for more interesting or unexpected things, either when you’ll create data or when you’ll use them. The two images above are about “curiosity” data. They were captured within an exhibition (see below) and are already partially interpreted data (i.e. you can leave a connected button with no explanation in the exhibition space, if people press it, well… they are curious). As another example, we also recorded data about “transgression” in the same exhibition: a small digital screen says “don’t touch” and blinks in red, while an attached sensor obviously connected to the screen can indeed be touched. Childish transgression and slightly meaningless I must admit… It was just a test.

But you could also declare other type of data, any type, while using complementary tools. You could for example declare each new image or file within an open cloud service and start cascading things. Or you could start thinking about data as “built” artifacts… like we did in a recent project (see below, Deterritorialized Living) that is delivered in the form of data.  Or you could also and of course drop off static data that you would like to store and make accessible for a larger community.

Possibilities seems in fact to be quite large.

 

 

Datadroppers as a commune could even be considered as a micro-society or nation. It comes with a dowloadable “flag”, if you desire to manifest your attachment to its philosophy or plant it in your datacenter!

 

  

  

 

Some views of Datadroppers in first use during Poetics and Politics of Data exhibition at the Haus der elektronische Künste in Basel (Switzerland), as part of the scenography designed by fabric | ch. Many Raspberry Pis were installed inside the space that captured exhibition’s data and feed the service. They can now be retrieved from http://www.datadroppers.org/index.html#search as the exhibition will end this week-end > search with string “H3K” or “Museum”.

 

   

  

 

Finally, I must mention the project that initiated Datadroppers, both because we developed the rules of the data sharing service during this latter project (Link > follow “Access to open data feeds”), but also because it is probably one of the most interesting use of Datadroppers so far…

Deterritorialized Living is an artificial, yet livable troposphere that is delivered in the form of data. Just like if we indeed install atmospheric sensors in a real environment, unless the environment doesn’t exist in this case (yet), it is the project. The process is therefore reversed within this almost geo-engineered climate that follows different rules than our earth/cosmos driven everyday atmosphere. We have the open data feed to later set it up. fabric | ch or another designer as the feed is open. We plan to use this feed and materialized it through different installations, like we already started to do.

So, for now, this fictive data flow of a designed atmosphere is also delivered as a feed (again: Search data > Deterritorialized), among other ones (some “real”, some not), within the webservice offered by Datadroppers .

Inhabiting and Interfacing the Cloud(s), a design research teaser about misunderstandings and paradoxes …

iic_paradoxes

At the occasion of the first peer reviewed conference we’ll take part with the I&IC project (Renewable Futures in Riga) and following the exhibition at H3K last Summer 2015 (Poetics and Politics of Data), Lucien Langton edited and produced a short teaser about our design research that dive into misunderstandings and paradoxes that concern the “Cloud(s)”!

 

Inhabiting & Interfacing the Cloud(s), can “weather affect cloud computing”? from iiclouds.org design research on Vimeo.

 

 

I&IC at Renewable Futures Conference in Riga

The design research Inhabiting and Interfacing the Cloud(s) will be presented during the peer reviewed Renewable Futures Conference next week in Riga (Estonia), which will be the first edition of a serie that promiss to scout for radical approaches.

Christophe Guignard will introduce the participants to the stakes and the progresses of our ongoing work. There will be profiled and inspiring speakers such as Lev Manovitch, John Thackara, Andreas Brockmann, etc.

 

rixc_conference

 

Poetics and Politics of Data, the publication

Note: we’re pleased to see that the publication related to the exhibition and symposium Poetics & Politics of Data, curated by Sabine Himmelsbach at the H3K in Basel, has been released later this summer. The publication, with the same title as the exhibition, was first distributed in the context of the conference Data Traces. Big Data in the Context of Culture and Society that also took place at H3K on the 3rd andf 4th of July. 

The book contains texts by Nicolas Nova (Me, My cloud and I) and myself (Inhabiting and Interfacing the Cloud(s). An ongoing Design Research), but also and mainly contributions by speakers of the conference (which include the american theorician Lev Manovitch, curator Sabine Himmelsbach and Prof. researcher from HGK Basel Claudia Mareis) and exhibiting artists (Moniker, Aram Bartholl, Rafael Lozano-Hemmer, Jennifer Lyn Morone, etc.)

 

pbl_32a_2015

The book serves both as the catalogue of the exhibition and the conference proceedings. Due to its close relation to our subject of research (the book speaks about data, we’re interested in the infrastructure –both physical and digital– that host them), we’re integrating the book to our list of relevant books. The article A short history of Clouds, by Orit Halpern is obviously of direct signifiance to our work.

Whether using Internet-based installations or graphic data visualisations, these artists question the relevance and place of the individual in a technologically wired society in which each of us generates a nearly incomprehensible amount of data on a daily basis. The digital traces we leave behind reflect a world increasingly controlled by data, and the artistic positions presented in this book seek to make those continuous streams of information visible. Through the phenomena of “big data” and “data mining”, critical questions are posed about our ambivalence towards living in such a world. With essays by Orit Halpern, Claudia Mareis, Ramón Reichert, and others.

272 p, ills colour, 17 x 24 cm, pb, English

Poetics and Politics of Data, ed. Christoph Merian Verlag, Basel, 2015 (29.- chf)

I&IC within Poetics and Politics of Data, exhibition at H3K. Pictures

Note: a few pictures from the exhibition “Poetics and Politics of Data” that is currently taking place at the Haus der elektronische Künste in Basel.

With works by artists such as Rafael Lozano-Hemmer, Moniker, Aram Bartholl, Ludwig Zeller, Jennifer Lyn Morone, etc., the exhibition gives a sharp view on the production of artists (some of which were presented on this blog) around the contemporary theme of “data”.

 

We had the pleasure to present the temporary results of our design research as the main part of a scenography created by fabric | ch and accompanied by texts from Nicolas Nova and myself.

Note also that Nicolas Nova will be a speaker during the conference Data Traces: Big Data in the Context of Culture & Society that will take place at the H3K between the 3rd and 4th of July and when a publication will be released: Poetics & Politics of Data, Sabine Himmelsbach & Claudia Mareis, ed. Christoph Merian Verlag, Basel, 2015.

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Intro text to the exhibition and credits:

Inhabiting & Interfacing the Cloud(s) is an ongoing design research about Cloud Computing. It explores the creation of counter-proposals to the current expression of this technological arrangement, particularly in its forms intended for private individuals and end users (Personal Cloud). Through its fully documented cross-disciplinary approach that connects the works of interaction designers, architects and ethnographers, this research project aims at producing alternative yet concrete models resulting from a more decentralized and citizen-oriented approach.
Halfway through the exploration process, the current status of the work is presented in the form of a (computer) cabinet (of curiosities).

http://www.iiclouds.org

Project leaders: Patrick Keller (ECAL), Nicolas Nova (HEAD)
Tutors: Christophe Guignard (ECAL), Dieter Dietz, Caroline Dionne, Manon Fantini, Thomas Favre-Bulle & Rudi Nieveen (EPFL), Nicolas Henchoz (EPFL-ECAL Lab)
Assistants: Lucien Langton (ECAL), Charles Chalas (HEAD), David Colombini
Partners: James Auger, Christian Babski, Stéphane Carion, Matthew Plummer-Fernandez

Students (ECAL): Anne-Sophie Bazard, Benjamin Botros, Caroline Buttet, Guillaume Cerdeira, Romain Cazier, Maxime Castelli, Mylène Dreyer, Bastien Girshig, Martin Hertig, Jonas Lacôte, Alexia Léchot, Nicolas Nahornyj, Pierre-Xavier Puissant
Students (HEAD): Sarah Bourquin, Hind Chamas, Marianne Czwodjdrak, Patrick Donaldson, Alexandra Gavrilova, Félicien Goguey, Eunni Sun Lee, Vanesa Lorenzo, Etienne Ndiaye, Mélissa Pisler, Camille Rattoni, Léa  Thévenot, Saskia Vellas
Students (EPFL): Anne-Charlotte Astrup, Francesco Battaini, Tanguy Dyer, Delphine Passaquay

Scenography: fabric | ch

ECAL director: Alexis Georgacopoulos
HEAD – Genève director: Jean-Pierre Greff

ECAL/University of Art & Design Lausanne, HEAD – Genève, EPFL-ECAL Lab, HES-SO